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Ijoko Rimi is Tourism Product of the week, says Otunba Wanle Akinboboye

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Tourism icon, Otunba Olawanle Akinboboye, has disclosed that the 24th tourism product of the week, is Ijoko Rimi. Though it may appear similar to last week’s presentation of is (Simi Rimi), it has distinct features that provides a complete different water experience from last week’s tourism product.

 

‘Ijoko Rimi’ according to him, is a Yoruba term that means ‘sit on water’.

 

Once again, this item is produced locally from wood and recycled vegetable oil kegs. However, rather than being designed as a floating bed, it incorporates the seating portion of a plastic chair (what’s left after you cut off the chair’s legs) to create an apparatus that will enable tourists gently float on water while relaxing in a seated position.

 

He then mentioned that the apparatus is also designed in a way that would facilitate sports fishing, so that keen anglers can spend a relaxing day attempting to catch fish.

The materials this apparatus uses are eco friendly and aligned to the recycling culture currently being promoted world – wide. This is obviously very useful in a country like Nigeria where plastic chairs and kegs are widely used and discarded.

 

He noted that the sitting feature in Ijoko Rimi can be harvested from chairs that would normally be condemned and added to our environmental waste because their legs aren’t functioning correctly and are no longer able to support anyone’s weight.

 

The fact this equipment uses recycled material means it can be produced at a very cheap cost, which will also impact on the cost of using the water sport activity it promotes.

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Ijoko Rimi can provide a basis for youth employment, as enterprising youths can establish water sport centers that use Ijoko Rimi only and which centers can be patronized by people in the cadres of society that are normally unable to patronize recreational water sport centers that use expensive water sport equipment like speed boats, kayak and so on.

It will also generate employment for those responsible for the manufacture and maintenance of this wholly indigenous apparatus.

 

Otunba Akinboboye reiterated that Ijoko Rimi could be used for ‘sport fishing’ as individuals can relax and float around on the water while casting their fishing rods and hoping for a passing fish to bite.

 

Nigeria, he said, has an abundance of river fish, which includes tilapia, giwan ruwa (Nile perch) boney tongue and cat fish. Though aware that, for example, there is tilapia in Europe, such fishes were raised in fish farms so European fishermen may enjoy catching wild fish in their natural habitat.

 

He emphasized that sports fishing is a growing tourism sector. According to Future Market Insights (FMI), the fishing tourism sector is estimated at US$ 72 billion in 2023 and is projected to reach US$ 211 billion in 2033.

An analyst, Rohnak Shah, in discussing the growth in this segment of the tourism market attributed same to the fact that fishing tourism offers consumers a calming and fun tour, where they are closer to serene rivers or seas, and learn new skills. The need of consumers to be closer to nature has thus positively benefited the market while giving tourism firms a key selling point for their tour packages.

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Obviously it would be great if Nigeria could plug into this growing tourism market by introducing an unusual and unique but comfortable way for sports fishermen to pursue their hobby while exploring other aspects of Nigeria’s vista and culture.

Otunba Akinboboye noted that other countries were also leveraging off eco – friendly water sport products that tied into their culture to create tourism experiences. For example, in Indonesia, in an attempt to boost the fishing tourism sector, a fishing boat was created with a touch of Pasuruan cultural heritage, which is indigenous to a region in East Java. It was hoped that the design would attract the tourists’ attention by presenting them with a local heritage fishing experience.

 

The Kanger Valley National Park, which is a popular tourist destination in Chhattisgarh, India, has also introduced Bamboo rafting as an adventure activity. These bamboo rafts, which are made of bamboo poles tied together with ropes and steered by expert rafters using long poles that were traditionally used by local tribes for transportation and fishing.

 

Otunba Akinboboye emphasized that Ijoko Rimi could be used for activities other than fishing and he merely focused on that aspect of its use because he wanted to point out a growth sector of tourism that was not currently being addressed in Nigeria and which could be aligned with this particular product.

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Otunba Akinboboye said that the focus on developing and using eco – friendly water apparatus that has a cultural twist is a case of taking advantage of ones advantages.

 

He also mentioned that, by using recycled plastic items, which is a material that is a by – product of the mainstay of our economy – petroleum, we would be promoting a ‘360 degree Waste to Wealth Culture’ that was in tune with modern thinking and could be used as a definite selling point when marketing our tourism products and activities locally and internationally.

Otunba Akinboboye explained that the creation of Ijoko Rimi, is part of his quest to provide tourism products that are unique to Nigeria and which could attract tourists intent on undertaking adventures outside of their ‘usual’ experiences.

 

He also emphasized that this unique water sports apparatus is aligned with the government’s push to create employment, encourage indigenous manufacturing and reduce importation.

 

We hope you found the discussion about Ijoko Rimi as fascinating as we did and look forward to learning about the other tourism products Otunba Akinboboye has within his creative and African focused portfolio.

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Papa Ajasco’s claim of being broke false – Wale Adenuga

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Wale Adenuga, veteran filmmaker and Chief Executive Officer of Wale Adenuga Productions, has responded to claims by actor Abiodun Ayoyinka, popularly known as Papa Ajasco, that he is broke.

Papa Ajasco recently sparked online reactions after alleging financial hardship despite his long-standing role in the popular TV series Papa Ajasco and Company.

But in a statement released on Wednesday, Adenuga dismissed insinuations of neglect and described the narrative as “false and misleading,” while providing details about his relationship with the actor and the structure of their professional engagement.

Adenuga said: “My first impression when I watched the Papa Ajasco video now trending on the internet, and local TV channels was: ‘Okay, so this guy has taken Papa Ajasco comedy into the public space!’ It is all well and good. I am happy for him, as his money-making strategy using social media has apparently worked for him.”

He described Ayoyinka as a “versatile actor” who closely resembles the original character he created in 1976, adding that there had been no irreconcilable differences between them.

He said, “Candidly, I want to address the wave of misinformation, emotional commentary, and uninformed public intervention that has followed his recent media interview. I am doing this not with malice, but in the interest of truth, transparency, and the integrity of a legacy that has entertained millions of Nigerians for decades.

“I am doing this not with malice, but in the interest of truth, transparency, and the integrity of a legacy that has entertained millions of Nigerians for decades. Abiodun Ayoyinka was a civil servant with the Lagos State Government for over three decades. He was even the face of the state’s cultural troupe, which endeared him to the likes of Asiwaju Bola Ahmed Tinubu during his time as governor, as well as his successors. He retired not too long ago. In fact, we used to seek permission from his office anytime we needed him on location.

“He bears the closest resemblance to the cartoon version of the Papa Ajasco character, which I created on my dining table in 1976 during my publishing days. He is very close to me, and so far, there has been no irreconcilable difference between us.”

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Adenuga, while addressing claims of neglect, stated that the production company had supported the actor over the years.

“On the car issue, we once gave him a car — and Pa James as well. He has also used at least five cars, including a Mercedes-Benz, at different times. And to the best of my knowledge, he has a house in Ogun State,” he said.

He explained that the restriction on the use of the “Papa Ajasco” brand name for personal ventures was necessary to protect its integrity, but clarified that actors were free to take on other jobs.

“Also, he has not been barred from accepting advert jobs. As he himself stated, all that is required is to seek official approval from WAP. This is part of brand protection,” Adenuga said.

Questioning Ayoyinka’s claim of financial hardship, he added, “Now, the question is: why is Abiodun Ayoyinka claiming to be broke? Where are the investments from his over 30 years of meritorious service with the Lagos State Government? What happened to his gratuities?”

Adenuga further noted that other cast members, such as Pa James, Mama Ajasco, Boy Alinco, Miss Pepeiye, Akpan and Oduma regularly feature in other productions, indicating that the company does not restrict artistes from external engagements.

He added that actors typically spend only six weeks annually on set, allowing time for other pursuits.

“The organisation pays according to industry standards and ensures all financial obligations are fulfilled as and when due. Therefore, any narrative suggesting financial abandonment or exploitation by our organisation is entirely false and misleading,” he said.

Adenuga reaffirmed the company’s commitment to maintaining professional relationships and thanked the public for its concern and support.

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Wale Adenuga, veteran filmmaker and Chief Executive Officer of Wale Adenuga Productions, has responded to claims by actor Abiodun Ayoyinka, popularly known as Papa Ajasco, that he is broke.

Papa Ajasco recently sparked online reactions after alleging financial hardship despite his long-standing role in the popular TV series Papa Ajasco and Company.

But in a statement released on Wednesday, Adenuga dismissed insinuations of neglect and described the narrative as “false and misleading,” while providing details about his relationship with the actor and the structure of their professional engagement.

Adenuga said: “My first impression when I watched the Papa Ajasco video now trending on the internet, and local TV channels was: ‘Okay, so this guy has taken Papa Ajasco comedy into the public space!’ It is all well and good. I am happy for him, as his money-making strategy using social media has apparently worked for him.”

He described Ayoyinka as a “versatile actor” who closely resembles the original character he created in 1976, adding that there had been no irreconcilable differences between them.

He said, “Candidly, I want to address the wave of misinformation, emotional commentary, and uninformed public intervention that has followed his recent media interview. I am doing this not with malice, but in the interest of truth, transparency, and the integrity of a legacy that has entertained millions of Nigerians for decades.

“I am doing this not with malice, but in the interest of truth, transparency, and the integrity of a legacy that has entertained millions of Nigerians for decades. Abiodun Ayoyinka was a civil servant with the Lagos State Government for over three decades. He was even the face of the state’s cultural troupe, which endeared him to the likes of Asiwaju Bola Ahmed Tinubu during his time as governor, as well as his successors. He retired not too long ago. In fact, we used to seek permission from his office anytime we needed him on location.

“He bears the closest resemblance to the cartoon version of the Papa Ajasco character, which I created on my dining table in 1976 during my publishing days. He is very close to me, and so far, there has been no irreconcilable difference between us.”

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Adenuga, while addressing claims of neglect, stated that the production company had supported the actor over the years.

“On the car issue, we once gave him a car — and Pa James as well. He has also used at least five cars, including a Mercedes-Benz, at different times. And to the best of my knowledge, he has a house in Ogun State,” he said.

He explained that the restriction on the use of the “Papa Ajasco” brand name for personal ventures was necessary to protect its integrity, but clarified that actors were free to take on other jobs.

“Also, he has not been barred from accepting advert jobs. As he himself stated, all that is required is to seek official approval from WAP. This is part of brand protection,” Adenuga said.

Questioning Ayoyinka’s claim of financial hardship, he added, “Now, the question is: why is Abiodun Ayoyinka claiming to be broke? Where are the investments from his over 30 years of meritorious service with the Lagos State Government? What happened to his gratuities?”

Adenuga further noted that other cast members, such as Pa James, Mama Ajasco, Boy Alinco, Miss Pepeiye, Akpan and Oduma regularly feature in other productions, indicating that the company does not restrict artistes from external engagements.

He added that actors typically spend only six weeks annually on set, allowing time for other pursuits.

“The organisation pays according to industry standards and ensures all financial obligations are fulfilled as and when due. Therefore, any narrative suggesting financial abandonment or exploitation by our organisation is entirely false and misleading,” he said.

Adenuga reaffirmed the company’s commitment to maintaining professional relationships and thanked the public for its concern and support.

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Elegance, excellence, recognition as Wale Tinubu celebrates wife’s big moment in global spotlight

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In the glittering world of high society and corporate influence, moments of genuine pride and admiration rarely go unnoticed. Such was the case when oil magnate and business leader Jubril Adewale Tinubu stepped into the spotlight to celebrate a milestone achievement by his wife, Bola Tinubu who was recently honoured at the prestigious ARISE 100 Women of Impact in Africa Awards.

The award ceremony, organised by the media powerhouse ARISE News, brought together some of Africa’s most accomplished and influential women—leaders whose contributions have left a remarkable imprint across business, governance, philanthropy, and social development. Among this distinguished league stood Mrs. Tinubu, whose recognition reflects years of quiet excellence, commitment, and purposeful impact.

For the energy tycoon, the moment was deeply personal. Known across the continent as the driving force behind the energy giant Oando Plc, the businessman is often celebrated for his boardroom brilliance and strategic leadership. Yet, beyond the corporate boardrooms and global energy deals, he was simply a proud husband applauding the achievements of the woman who stands beside him.

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Taking to social media shortly after the ceremony, Tinubu shared a touching tribute that resonated with many who admire the couple. His message was simple but heartfelt, capturing the essence of admiration and partnership. Referring to the moment as a “proud husband moment,” he congratulated his wife on the prestigious honour and praised the significance of the recognition.

The ARISE Women of Impact Awards have increasingly become one of the continent’s most respected platforms for celebrating female excellence. The initiative highlights women whose work continues to shape industries, inspire communities, and redefine leadership across Africa. For the woman , being counted among this elite group places her firmly within a circle of changemakers whose influence transcends titles and accolades.

Observers at the event noted that her recognition was not merely ceremonial but well deserved. Over the years, she has cultivated a reputation for grace, professionalism, and dedication to meaningful causes—qualities that have earned her admiration within Nigeria’s social and professional circles.

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For those who know the Tinubus, the public celebration was hardly surprising. The couple has long embodied a partnership built on mutual respect, shared ambition, and unwavering support for each other’s pursuits. While Tinubu continues to command attention in the energy sector, his wife has quietly carved out her own path of distinction.
The quiet, steady influence of a woman who commands respect without seeking the spotlight shone brightly on that memorable evening reminding many that true influence often speaks in the calmest of voices.

Beyond her professional accomplishments and social standing, the intelligent lawyer nine years ago, translated her deep concern for child protection into action with the launch of the Cece Yara Foundation, an organisation dedicated to protecting children from abuse and giving young victims a safe platform to speak out against injustice.

Over the years, the foundation has become a powerful voice in the fight against child abuse in Nigeria, offering support, counselling and advocacy for vulnerable children. Through its initiatives, many young victims have found both protection and hope.

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Through these initiatives, she has continued to demonstrate that her influence goes far beyond society circles. Her commitment to protecting the most vulnerable members of society has made her not only a respected figure in elite circles but also a beacon of hope for countless children and families across the country.

In a society where achievements are often measured in grand gestures and headlines, moments like this serve as a reminder that recognition carries deeper meaning when it is celebrated by those closest to us.

For the GCEO of Oando Group, the award was not just another accolade on the social calendar—it was a powerful reminder that behind every remarkable woman is a story of dedication, resilience, and a partner proud enough to celebrate her success before the world.

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2baba’s ex-wife Annie rejects single mum tag, says ‘I’m a single woman raising two kids’

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Actress Annie Idibia has rejected the single mum tag, declaring that she is “not a single mum” but “a single woman raising two kids.”

“I’M NOT A SINGLE MOM. I’M A SINGLE WOMAN RAISING TWO KIDS,” she wrote.

Although Annie did not provide additional context, her statement comes more than a year after her separation from music star 2baba with whom she shares two daughters.

The couple officially ended their marriage in 2024 after over a decade together.

Their relationship had long been in the public eye. Over the years, both faced intense scrutiny, with social media amplifying private disagreements and personal struggles.

The marriage was in the public eyes not only because of their celebrity status but also because of past controversies surrounding 2Baba’s relationships.

Before their separation, Annie and 2Baba appeared on the Netflix reality series Young, Famous & African. On the show, Annie spoke candidly about the pressures within their 12-year marriage. She addressed issues of infidelity and the emotional strain she experienced over the years.

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During the series, she reflected on the impact of 2Baba fathering five children with two other women before their marriage.

Annie described that period as deeply painful, noting that it took an emotional toll on her even after they formalised their union. Her comments at the time generated widespread debate, with many viewers sympathising with her position.

Beyond the reality show, 2Baba’s personal life has remained a frequent topic in the media. The singer has eight children with four different women, a fact that has shaped public perception of him for years.

In a recent interview with Voice of Nigeria, he described being labelled a “womaniser” as the biggest misconception about him, insisting that he is simply someone who “loves hard.”

Despite the challenges that have followed her personal life, Annie continues to build her career in film and brand partnerships.

2Baba, meanwhile, continues to perform and record music, sustaining a career that spans more than two decades.

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However, while his professional achievements remain widely respected, his private life has frequently attracted as much attention as his music.

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