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Bobrisky appeals jail term, begs court to convert imprisonment to fine

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Embattled cross-dresser, Idris Olanrewaju Okuneye, also known as Bobrisky, has appealed against the six months imprisonment imposed on him by the Federal High Court in Lagos which convicted him of charges of abuse of naira.

 

In the appeal lodged on his behalf by his lawyer, Bimbo Kusanu, Bobrisky wants the Court of Appeal to convert the six-month imprisonment to N50,000 fine on each of the four counts he was convicted of.

 

Justice Abimbola Awogboro had on April 12, 2024, sentenced Bobrisky, to six months imprisonment without an option fine for abusing the naira by spraying the currency at a party, leading to mutilation.

 

Bobrisky had on April 5, 2024, pleaded guilty to four counts of abuse of the naira preferred against him by the Economic and Financial Crimes Commission.

 

The judge, while sentencing the cross-dresser, said the judgment would serve as a deterrent to others who are fond of abusing and mutilating the naira.

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However, in his Notice of Appeal filed before the Appeal Court, the cross-dresser urged the appellate court to consider the fact that he has no previous record of criminal conviction.

 

He averred that the sentence imposed by the trial court against him was punitive contrary to the mandatory provisions of the Administration of Criminal Justice Law on sentencing.

He stated that the trial court did not consider the positive antecedent of the appellant, who did not waste the precious judicial resources of the trial court, when he pleaded guilty to the charge.

 

He also noted that he honoured the invitation of the EFCC on the first invitation during the investigation leading to the charge.

 

“The sentence of the lower court that imposed the maximum penalty of six months imprisonment without option of fine on the appellant, who is a first-time convict without a previous record of criminal conviction, is harsh.

 

“The learned trial judge erred in law and facts by his imposition of the maximum sentence of six months imprisonment terms against the appellant without the option of fine contrary to the provisions of Section 416(2) (d) of the Administration of Criminal Justice Act of 2015 that prescribed the mandatory guidelines on the trial court on imposition of sentencing after criminal conviction of a first time offender as the appellant.

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“The trial court imposed the maximum sentence on the appellant, who has no previous record criminal of conviction, when there are options to impose a lesser sentence by the provisions of the ADCJA.

 

“The sentence imposed by the trial court against the appellant is punitive contrary to the mandatory provisions of the law on sentencing.

 

“The appellant has suffered a miscarriage of justice by the maximum sentence imposed by the learned trial court.

 

“The reasons adduced by the learned trial court for the imposition of maximum punishment on the appellant, which is essentially on what foreigners think of abuse of naira, is perverse and is out of tune with the reality of what the trial court should have been considered to impose maximum punishment on the appellant.

 

“The intendment of the provisions of the Central Bank Act 2007 that the appellant was charged with is for Nigerians not to tamper with naira and not what nationals of foreign countries view about tampering with naira.

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“The trial court did not consider the positive antecedent of the appellant, who did not waste the precious judicial resources of the trial court when he pleaded guilty to the charge. The appellant honoured the invitation of the respondent, the Economic and Financial Crimes Commission, on the first invitation during the investigation leading to the charge.

 

“The trial court failed to exercise his discretion judiciously and judicially in sentencing the appellant which has occasioned a miscarriage of justice against the appellant.”

 

 

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Papa Ajasco’s claim of being broke false – Wale Adenuga

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Wale Adenuga, veteran filmmaker and Chief Executive Officer of Wale Adenuga Productions, has responded to claims by actor Abiodun Ayoyinka, popularly known as Papa Ajasco, that he is broke.

Papa Ajasco recently sparked online reactions after alleging financial hardship despite his long-standing role in the popular TV series Papa Ajasco and Company.

But in a statement released on Wednesday, Adenuga dismissed insinuations of neglect and described the narrative as “false and misleading,” while providing details about his relationship with the actor and the structure of their professional engagement.

Adenuga said: “My first impression when I watched the Papa Ajasco video now trending on the internet, and local TV channels was: ‘Okay, so this guy has taken Papa Ajasco comedy into the public space!’ It is all well and good. I am happy for him, as his money-making strategy using social media has apparently worked for him.”

He described Ayoyinka as a “versatile actor” who closely resembles the original character he created in 1976, adding that there had been no irreconcilable differences between them.

He said, “Candidly, I want to address the wave of misinformation, emotional commentary, and uninformed public intervention that has followed his recent media interview. I am doing this not with malice, but in the interest of truth, transparency, and the integrity of a legacy that has entertained millions of Nigerians for decades.

“I am doing this not with malice, but in the interest of truth, transparency, and the integrity of a legacy that has entertained millions of Nigerians for decades. Abiodun Ayoyinka was a civil servant with the Lagos State Government for over three decades. He was even the face of the state’s cultural troupe, which endeared him to the likes of Asiwaju Bola Ahmed Tinubu during his time as governor, as well as his successors. He retired not too long ago. In fact, we used to seek permission from his office anytime we needed him on location.

“He bears the closest resemblance to the cartoon version of the Papa Ajasco character, which I created on my dining table in 1976 during my publishing days. He is very close to me, and so far, there has been no irreconcilable difference between us.”

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Adenuga, while addressing claims of neglect, stated that the production company had supported the actor over the years.

“On the car issue, we once gave him a car — and Pa James as well. He has also used at least five cars, including a Mercedes-Benz, at different times. And to the best of my knowledge, he has a house in Ogun State,” he said.

He explained that the restriction on the use of the “Papa Ajasco” brand name for personal ventures was necessary to protect its integrity, but clarified that actors were free to take on other jobs.

“Also, he has not been barred from accepting advert jobs. As he himself stated, all that is required is to seek official approval from WAP. This is part of brand protection,” Adenuga said.

Questioning Ayoyinka’s claim of financial hardship, he added, “Now, the question is: why is Abiodun Ayoyinka claiming to be broke? Where are the investments from his over 30 years of meritorious service with the Lagos State Government? What happened to his gratuities?”

Adenuga further noted that other cast members, such as Pa James, Mama Ajasco, Boy Alinco, Miss Pepeiye, Akpan and Oduma regularly feature in other productions, indicating that the company does not restrict artistes from external engagements.

He added that actors typically spend only six weeks annually on set, allowing time for other pursuits.

“The organisation pays according to industry standards and ensures all financial obligations are fulfilled as and when due. Therefore, any narrative suggesting financial abandonment or exploitation by our organisation is entirely false and misleading,” he said.

Adenuga reaffirmed the company’s commitment to maintaining professional relationships and thanked the public for its concern and support.

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Wale Adenuga, veteran filmmaker and Chief Executive Officer of Wale Adenuga Productions, has responded to claims by actor Abiodun Ayoyinka, popularly known as Papa Ajasco, that he is broke.

Papa Ajasco recently sparked online reactions after alleging financial hardship despite his long-standing role in the popular TV series Papa Ajasco and Company.

But in a statement released on Wednesday, Adenuga dismissed insinuations of neglect and described the narrative as “false and misleading,” while providing details about his relationship with the actor and the structure of their professional engagement.

Adenuga said: “My first impression when I watched the Papa Ajasco video now trending on the internet, and local TV channels was: ‘Okay, so this guy has taken Papa Ajasco comedy into the public space!’ It is all well and good. I am happy for him, as his money-making strategy using social media has apparently worked for him.”

He described Ayoyinka as a “versatile actor” who closely resembles the original character he created in 1976, adding that there had been no irreconcilable differences between them.

He said, “Candidly, I want to address the wave of misinformation, emotional commentary, and uninformed public intervention that has followed his recent media interview. I am doing this not with malice, but in the interest of truth, transparency, and the integrity of a legacy that has entertained millions of Nigerians for decades.

“I am doing this not with malice, but in the interest of truth, transparency, and the integrity of a legacy that has entertained millions of Nigerians for decades. Abiodun Ayoyinka was a civil servant with the Lagos State Government for over three decades. He was even the face of the state’s cultural troupe, which endeared him to the likes of Asiwaju Bola Ahmed Tinubu during his time as governor, as well as his successors. He retired not too long ago. In fact, we used to seek permission from his office anytime we needed him on location.

“He bears the closest resemblance to the cartoon version of the Papa Ajasco character, which I created on my dining table in 1976 during my publishing days. He is very close to me, and so far, there has been no irreconcilable difference between us.”

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Adenuga, while addressing claims of neglect, stated that the production company had supported the actor over the years.

“On the car issue, we once gave him a car — and Pa James as well. He has also used at least five cars, including a Mercedes-Benz, at different times. And to the best of my knowledge, he has a house in Ogun State,” he said.

He explained that the restriction on the use of the “Papa Ajasco” brand name for personal ventures was necessary to protect its integrity, but clarified that actors were free to take on other jobs.

“Also, he has not been barred from accepting advert jobs. As he himself stated, all that is required is to seek official approval from WAP. This is part of brand protection,” Adenuga said.

Questioning Ayoyinka’s claim of financial hardship, he added, “Now, the question is: why is Abiodun Ayoyinka claiming to be broke? Where are the investments from his over 30 years of meritorious service with the Lagos State Government? What happened to his gratuities?”

Adenuga further noted that other cast members, such as Pa James, Mama Ajasco, Boy Alinco, Miss Pepeiye, Akpan and Oduma regularly feature in other productions, indicating that the company does not restrict artistes from external engagements.

He added that actors typically spend only six weeks annually on set, allowing time for other pursuits.

“The organisation pays according to industry standards and ensures all financial obligations are fulfilled as and when due. Therefore, any narrative suggesting financial abandonment or exploitation by our organisation is entirely false and misleading,” he said.

Adenuga reaffirmed the company’s commitment to maintaining professional relationships and thanked the public for its concern and support.

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Elegance, excellence, recognition as Wale Tinubu celebrates wife’s big moment in global spotlight

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In the glittering world of high society and corporate influence, moments of genuine pride and admiration rarely go unnoticed. Such was the case when oil magnate and business leader Jubril Adewale Tinubu stepped into the spotlight to celebrate a milestone achievement by his wife, Bola Tinubu who was recently honoured at the prestigious ARISE 100 Women of Impact in Africa Awards.

The award ceremony, organised by the media powerhouse ARISE News, brought together some of Africa’s most accomplished and influential women—leaders whose contributions have left a remarkable imprint across business, governance, philanthropy, and social development. Among this distinguished league stood Mrs. Tinubu, whose recognition reflects years of quiet excellence, commitment, and purposeful impact.

For the energy tycoon, the moment was deeply personal. Known across the continent as the driving force behind the energy giant Oando Plc, the businessman is often celebrated for his boardroom brilliance and strategic leadership. Yet, beyond the corporate boardrooms and global energy deals, he was simply a proud husband applauding the achievements of the woman who stands beside him.

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Taking to social media shortly after the ceremony, Tinubu shared a touching tribute that resonated with many who admire the couple. His message was simple but heartfelt, capturing the essence of admiration and partnership. Referring to the moment as a “proud husband moment,” he congratulated his wife on the prestigious honour and praised the significance of the recognition.

The ARISE Women of Impact Awards have increasingly become one of the continent’s most respected platforms for celebrating female excellence. The initiative highlights women whose work continues to shape industries, inspire communities, and redefine leadership across Africa. For the woman , being counted among this elite group places her firmly within a circle of changemakers whose influence transcends titles and accolades.

Observers at the event noted that her recognition was not merely ceremonial but well deserved. Over the years, she has cultivated a reputation for grace, professionalism, and dedication to meaningful causes—qualities that have earned her admiration within Nigeria’s social and professional circles.

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For those who know the Tinubus, the public celebration was hardly surprising. The couple has long embodied a partnership built on mutual respect, shared ambition, and unwavering support for each other’s pursuits. While Tinubu continues to command attention in the energy sector, his wife has quietly carved out her own path of distinction.
The quiet, steady influence of a woman who commands respect without seeking the spotlight shone brightly on that memorable evening reminding many that true influence often speaks in the calmest of voices.

Beyond her professional accomplishments and social standing, the intelligent lawyer nine years ago, translated her deep concern for child protection into action with the launch of the Cece Yara Foundation, an organisation dedicated to protecting children from abuse and giving young victims a safe platform to speak out against injustice.

Over the years, the foundation has become a powerful voice in the fight against child abuse in Nigeria, offering support, counselling and advocacy for vulnerable children. Through its initiatives, many young victims have found both protection and hope.

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Through these initiatives, she has continued to demonstrate that her influence goes far beyond society circles. Her commitment to protecting the most vulnerable members of society has made her not only a respected figure in elite circles but also a beacon of hope for countless children and families across the country.

In a society where achievements are often measured in grand gestures and headlines, moments like this serve as a reminder that recognition carries deeper meaning when it is celebrated by those closest to us.

For the GCEO of Oando Group, the award was not just another accolade on the social calendar—it was a powerful reminder that behind every remarkable woman is a story of dedication, resilience, and a partner proud enough to celebrate her success before the world.

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2baba’s ex-wife Annie rejects single mum tag, says ‘I’m a single woman raising two kids’

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Actress Annie Idibia has rejected the single mum tag, declaring that she is “not a single mum” but “a single woman raising two kids.”

“I’M NOT A SINGLE MOM. I’M A SINGLE WOMAN RAISING TWO KIDS,” she wrote.

Although Annie did not provide additional context, her statement comes more than a year after her separation from music star 2baba with whom she shares two daughters.

The couple officially ended their marriage in 2024 after over a decade together.

Their relationship had long been in the public eye. Over the years, both faced intense scrutiny, with social media amplifying private disagreements and personal struggles.

The marriage was in the public eyes not only because of their celebrity status but also because of past controversies surrounding 2Baba’s relationships.

Before their separation, Annie and 2Baba appeared on the Netflix reality series Young, Famous & African. On the show, Annie spoke candidly about the pressures within their 12-year marriage. She addressed issues of infidelity and the emotional strain she experienced over the years.

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During the series, she reflected on the impact of 2Baba fathering five children with two other women before their marriage.

Annie described that period as deeply painful, noting that it took an emotional toll on her even after they formalised their union. Her comments at the time generated widespread debate, with many viewers sympathising with her position.

Beyond the reality show, 2Baba’s personal life has remained a frequent topic in the media. The singer has eight children with four different women, a fact that has shaped public perception of him for years.

In a recent interview with Voice of Nigeria, he described being labelled a “womaniser” as the biggest misconception about him, insisting that he is simply someone who “loves hard.”

Despite the challenges that have followed her personal life, Annie continues to build her career in film and brand partnerships.

2Baba, meanwhile, continues to perform and record music, sustaining a career that spans more than two decades.

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However, while his professional achievements remain widely respected, his private life has frequently attracted as much attention as his music.

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